By Ron Merk Yes, yes, I know. I’ve written a couple of pieces for Indieplex about The Ready Rig. But I can’t help saying something more about it after seeing the [...]
By Ron Merk If you’ve never heard of director, Gerhard Lamprecht, then join the crowd. But thanks to the work of Martin Koerber and the Deutsche Kineathek, and this [...]
Rudolph Valentino in The Four Horsemen of the Apocalypse Last night, at the opening of this year’s San Francisco Silent Film Festival, I had the rare opportunity to [...]
By Ron Merk After nearly an hour plus of sitting in the sweltering Eureka Theater last night, and watching what should have been a souffle on stage turn into a cold fried [...]
By Ron Merk Since its beginning at The Metro Theater on Union Street (now sadly being turned into a gym instead of being used as a theater), the San Francisco International [...]
By Ron Merk There a many things about this film that I liked, much that is commendable. It is a first directorial effort by Josef Wladyka and in many ways suffers from the [...]
“The Two Faces of January” really deserves all the great response that it’s been receiving from audiences and the critics. It’s an elegant period thriller, a [...]
By Ozgur Pamukcu I’m sure there are many people who would disagree about exactly what the purpose of a film festival is or should be, and what a festival should accomplish. [...]
By Ozgur Pamukcu Documentary films offer us a rare look and insight into off-center, off-beat subjects not available in commercial cinema and on most television networks. [...]
http://www.jazz-on-film.com Mark Cantor has been an occasional contributor of articles to Indieplex Online Magazine. We’re pleased to advise our readers of his new [...]